Reality and Perspective in The Battle of Algiers (1966), By Daniel Collins

As if composed of a lost set of newsreels, it evokes an observational truth similar in style to guerilla filmmaking – Pontecorvo calls this “the dictatorship of the truth”. He achieves this truth through meticulous reconstruction, using real life locations, such as rebuilding bombsites, and non-professional actors, including petty thieves and a former National Liberation Front (FLN) leader.