Peace Studies as an academic discipline began in the aftermath of World War II. As in most fields, the study was shaped by the ideology and recorded contributions of men. However, the changing landscape of women’s peacebuilding roles developed a theoretical framework for the inclusion of women in peace processes. The theoretical perspectives on women and peace argues two main points. First, women are naturally averse to war due to their biological nature in nurturing children. Second, the women nurturing feminine trait has been devalued because it is superior to the male counterpart and therefore provides for better cooperation for peace. I can’t endorse either school of thought, but I am convinced that there is a need for stronger decision-making roles for women in peace processes especially since women have delivered successful contributions to peace as evident in Liberia.
The Easily Ignored Impact of America’s Economic Blockades, by Zachary Macpherson
This article will feature in issue 37: Oppression and Resistance In the wake of Salvador Allende’s victory in the 1970 Chilean presidential election, an enraged President Nixon called CIA director Richard Helms to the Oval Office. Having seen his attempts to influence the results of the election fail, Nixon ordered Helms to take a new Continue Reading
‘Revolting Prostitutes’: The Exploitation of Els von Eystett in 15th Century Germany, by Lewis Jones
This article will feature in Issue 37: Oppression and Resistance The year is 1471, and sitting in the middle of Germany’s Romantic Road is a tranquil village – Nördlingen. Yet, like most German towns, Nördlingen was home to a licensed brothel. The brothel wasn’t just the home of 12 prostitutes, it was of substantial economic Continue Reading
Ethnic Erasure in Ancient Greece, by Darcy Adams
This article will feature in Issue 37: Oppression and Resistance Classical Greece has long been perceived by modern Western countries as the birthplace of democracy, and has been used to shape and justify Eurocentric concepts of identity and political thought. When asked to imagine the Ancient Greek world, images of beautifully carved white marble statues, Continue Reading
‘Ghost town’, Music and Culture in Resistance to Thatcherism, by Phoebe Myers
No British politician of the last century has provoked such a visceral response within the music community as Thatcher. Countless artists took aim at her directly, but Thatcher was more than just a figure to be name dropped. She was a common enemy, a target for the malaise of the time, and a bogeyman figure, whose presence in music was felt if not seen. Artists used music to respond to societal rupture and economic deprivation at the hands of her government.