Content warning: discusses physical/sexual violence and rape I’m sitting at my desk, on a dull, cloudy afternoon. I’ve just finished reading Sweat by Zora Neale Hurston — a short story, a set reading. It is about the tired Black American wife of a cruel husband who beats her out of pure hatred, for not satisfying Continue Reading
The literary creations of Elizabeth Gaskell have had an irrefutable legacy that, from the mid-twentieth century, marked her out amongst critics as one of the most important and esteemed writers of the Victorian era. Perhaps the most remarkable aspect of her literary career was that she seemed to just fall into it at the age of 38. After the tragic death of her infant son William, her husband, also named William, suggested she start writing as a means of distraction from her grief.
When we think of xenophobia, often we are susceptible to oversimplifying it, without considering the intersectionality of gender and race. Historically, antisemitism has largely existed within a repressive hetero-normative framework of gender identity and sexuality. Considering Antisemitism in Victorian England then, it’s important to take on a gendered perspective, looking at the relationship between Judeophobia and conceived ‘masculinity’.
Toni Morrison, beloved American author and literary scholar, is best remembered for her razor-sharp prose. In the wake of her death in 2019, scholars have revisited her life’s works, revealing a depth of understanding of black American history previously unappreciated.
To be a woman is not a place of neutrality. To be a woman in literature, to read of your body as a site of battles and uprisings, of famine and protest, destroys any sense of impartiality. There is a long-standing tradition of gendering the nation: the motherland, the mothership, the innate feminine sense of home. But what happens when this sense of gender becomes so deeply tied in with a sense of nation that the two have become almost inseparable?
