The British Muslim Heritage Centre (BMHC) proved to be an educational and unique experience since, as a history of art student, my focus was seeing the exhibition known as ‘The House of Wisdom’. The BMHC is an institution which thrives on bringing together both Muslims and non-Muslims from all backgrounds, to educate and value cultural heritage and history. First established in the 90s, a group of businessmen in Manchester aimed to gather the community and overcome the social perceptions of Islam, especially at the time when 9/11 occurred. Since then, the institution has evolved and encourages the celebration of achievements, collaboration and understanding Islam.
The House of Wisdom illuminates the contributions of Muslim scholars, scientists, architects and mathematicians from the earliest centuries. Many forget that such contributions are often overlooked amid Western thought, and it is vital to clarify the importance of these notable figures. For instance: did you know that the understanding of pulmonary circulation was first introduced by Ibn Nafis (1210-1288 CE), a great physician and researcher whose research went several centuries unrecognised?
It wasn’t until it was translated into Latin in 1547 CE by Andrea Alpago of Belluno that there were a handful of attempts to define this concept. In 1628 CE, Sir William Harvey was credited with this discovery, without mentioning Ibn al-Nafis. Finally, in 1924 CE, Ibn Nafis’ work was revealed by Dr. Muhyo al-Deen Altawi (an Egyptian physician), and he was acknowledged for his accomplishment soon after.
What was most fascinating was the showcasing of ancient artefacts, such as an astrolabe, an ancient device which measured the position of the stars and a ship. Muhammad al-Fazari, a philosopher, mathematician and astronomer, was the first person to invent the Astrolabe in the Islamic world. The astrolabe was used not only for the position of the stars, but also for finding the way to Makkah and scheduling important prayers. Of the other artefacts included, was a beautiful Qalamdan scribe case originating from Cairo during the 19th century, decorated both inside and outside with silver and copper inlaid brass. A case such as this would hold tools used for writing and art, like pens and inkwells.
My favourite artefact was a hand-painted tile featuring a horse and its rider, adorned with rich colours of blue, white and red. The origin of this tile is understood to be from Iran by its design elements, a favoured one most likely used for mass production during the Qajar period (1779-1925). There are numerous examples online if you’re curious to see what they look like.
Although I have only talked about a few achievements and artefacts, I hope this gives a small insight into the great achievements of the Islamic world. The BMHC was a thought-provoking visit, and I recommend anyone to visit whilst in Manchester!